Monday, July 8, 2013

KDP Freebie Weekend By The Numbers

Like seemingly every single self pub ebook author before me, I  recently used Amazon's KDP Select program to put one of my titles for free with the intent to goose my sales numbers.

So, how'd we do?

Not bad. 

In three days, "Play Date" was downloaded 148 times.

121 in the US.
16 in the UK
7 in Germany
1 in France
2 in Japan
1 in Canada

This beats the previous three days count of ZERO proving once again that the only thing people like more than downloading stuff onto their devices is downloading FREE STUFF onto their devices.

Whether all this will lead to more sales remains to be seen, but it was fun watching the numbers go up. 

If you're a new reader, I hope you enjoy the story and download the other adventures. If you missed out on the sale, it's still only 99 cents.

And be on the lookout for more Calvin Recker on the horizon!

Thursday, July 4, 2013

Play Date for Free

To honor America (!), the latest Calvin Recker mystery short story "Play Date" is available for FREE on Amazon from 7/5-7/7.

Download it to your PCs, Macs, smart phones and tablets for FREE by clicking HERE.

Download the FREE Kindle app HERE.

Read. Enjoy. Tell your friends. Tweet it. Facebook it. Review it.

Thanks!

Wednesday, July 3, 2013

Brendan Shares Your Enthusiasm For... Beady Eye

Paul and the BE cover art. NSFW
Welcome to a new feature on Brendan Mackey's Blog called, "Brendan Shares Your Enthusiasm For..." where I discuss a topic that is near and dear to our guest expert's heart.

First up is Paul Snyder. He is a national magazine editor and runs the fantastic music site Transatlantic Modern. He also edits my ebooks.


Paul is a certified Oasis fanatic and today we will discuss the second post-breakup (between brothers Noel and Liam) album by Beady Eye (the yet to be released in the US) BE. 


The Cover


Brendan: First off, what more can be said for the cover image than a naked breast can't say for itself? Out of purely academic curiosity, I looked up the model and she is the wife of the fashion photographer who took the picture. With this knowledge, I can only come to two conclusions about the cover: 1. This proves you really do lose something when you just download only the MP3s and 2. Fashion photography is a desirable career choice.

Paul: Yeah I wonder why more of my high school and college classmates didn't become fashion photographers. Myself included. If the general thrust of the advice we were given on choosing a career path was "Find something you enjoy ..." I don't think there were many of us who would've said, "Well, I don't enjoy naked women." Suffice to say, I splurged on the imported vinyl version of album. Audio quality is one thing. That cover in 12" x 12" as opposed to a CD's 4.75" x 4.75" dimensions is another. Oh, and the vinyl version comes with a huge poster of the album cover. I'm trying to determine if I can hang it up in my new office without getting terminated for sexual harassment. I have a feeling Liam's argument of "It's definitely not sexist, it's sexy. It's a nipple you can bring home to your mother. It's not porn, is it?" probably isn't going to get me too far.


Flick of the Finger (listen HERE)


Brendan: The first track really announces itself with the heavy drums and a fat horn section. I listened to most of the album while running and this got me going. I think this was the first single or the first thing released, and it's a good song. Unfortunately, no discussion of this track can avoid the voiceover that takes up about of third of the back end by (Furious Google Searching) Kayban Novak, British sitcom star of Fonejacker reading a section from Tariq Ali's book about the 60s. On first listen, I guess it works, but it's hard to enjoy the song on replay a lot because of it. It seems like something Noel would throw on one of his Oasis demos.


Paul: Not to be all, "Hey, I graduated with a degree in Writing-Intensive English" (and not fashion photography) on you, but I think the speech is a modified version of something from Marat/Sade. I'm not saying a group of 1960s-philes didn't find the modified version in a book about the 1960s, but as is the wont of a writer, one gets persnickety about credit being given where credit is due. The speech threw me a little at the beginning too, and you're right about the Noel demo thing (callbacks to the "Go Let it Out" demo with "Austin Powers" dialogue), but it works for me now. The whole feel of the song to me is gladiators in the Colosseum and all that big cinematic "Gentlemen, this is our hour ..." stuff, so it blends in nicely. When all the "Dave Sitek," "horns," "cosmic experimentation" reports started spilling out back at the start of the year, I got very excited. I didn't expect this, but I wanted to be surprised and this did it. Might be my favorite thing they've done. Oh, and thanks for pointing out your exercise routine. I'm going to McDonald's now. I suspect you won't want anything?


Brendan: Sorry for depriving Peter Weiss of proper credit... and yes, I'll have a chocolate milkshake.

Soul Love


Paul: Then we move right into a mood piece. For every review I've read of BE so far, they all seem to have the "Wow, Liam's voice ..." (for better or worse) paragraph. He sounds fine to me, but I think he always has on record. I think what should be pointed out is how many notes Liam puts into the "Sou-ou-oul lo-ove, so-ou-oul lo-ov-ve" bits. His whole career, the talk has always been about how he can turn "shine" into a three-syllable word, but it was usually just a sneer. Here, it's actually a handy little bit of singing. Maybe not Pavarotti, but give it a little try yourself. It's not that easy. I think that little bit makes an otherwise uninteresting song kind of interesting. I can't pinpoint anything that really impresses me in this song, but that's not to say it's bad. It's fine to nod your head, purse your lips and bang your thumb on the steering wheel to whilst driving. It's just not a "Oh, dude, you gotta hear this one" kind of track.


Brendan: You're right about Liam. Whether he is a great singer or not is open to debate, but he's a great lead singer and frontman. And I think that's an even harder thing to be. As for "Soul Love" (nicely nicked from David Bowie), I like the searching guitar strumming and the aforementioned vowel-wrangling of the vocal. What I don't like is that it seems that the band and producer left the tape machine on and headed off the the pub. And isn't track 2 a little early for a "mood piece". I can't confirm that Liam wanted to mess with my momentum during my run, but I strongly suspect that might have been a motive.


Paul: Yeah, sorry you had to find this out while trying to improve your physical health, but in terms of how best to enjoy this album, I think "sit and listen," "drive and listen," "imitate Liam's singing stance, lip synch and listen" and "get stoned and listen" come pretty far ahead of "run and listen." I've seen a used CD of "Jock Jams 2" at Reckless Records for 49 cents, if you're interested in your next run's soundtrack. 


Face the Crowd


Brendan: This is pretty much what I expect from Beady Eye at this point. Straight ahead guitars, drumming, hand-claps, tambourines and Liam with his hands behind his back, leaning forward, braying into the microphone. I can see this one kicking off a show


Paul: Live, I’m sure this is fantastic and I’ll be jumping and singing along. On record, this is the album’s flattest moment for me. It’s a fine performance and Sharrock’s drumming can still wow me, but to go back to those mid-winter reports of “Sitek,” “horns” and “cosmic experimentation,” this is not what I was hoping for. I don’t think Beady Eye (or Oasis or Noel) could ever leave basic electric guitar rock behind, and I don’t want them to. But for dudes in their 40s to be writing songs about playing rock and roll shows to their aging fans … I don’t know. One wants to see their childhood idols avoid “The Heart of Rock and Roll” territory at all costs. I don’t think Beady Eye are there, but these kind of songs tempt it.


Second Bite of the Apple


Paul: The verses have an I’m-making-it-up-as-I-go kind of melody to it, which throws me a little. But the whole “the word is up if you’re tough enough” to “Come on, show us your love now” bit is great. The horns are great, the backing track is great and the groove is great. It’s a weird choice for a single, though. Listening to the whole album, this makes sense in the #4 spot. It keeps momentum and links the riffage of “Face the Crowd” to the more sparse “Soon Come Tomorrow” nicely, but to put it out as a single just seems to scream, “THIS IS DIFFERENT! SEE?! IT’S NOT ALL THREE-CHORD BEATLE RIPOFFS! WE CAN BE INTERESTING!” And screaming about how interesting you are seldom makes people go, “You know what? You ARE interesting.” Should’ve been a cool deep cut. 


Brendan: It is an odd track. I do love a good "Come on" in rock songs, especially Gallagher songs, but the lyric I'm more interested in is "Shake my tree where's the apple for me/Tickle my feet with the enemy". Is Liam asking someone to tickle his feet along with the enemy? Or does he want to be tickled literally WITH the enemy, like the enemy's hair for instance?" Is this the first perverse coded Noel dig? 

Paul: It might be the NME. Which makes it less intriguing.

Soon Come Tomorrow


Brendan: Another downbeat song, but mostly successful. Very Noel-like guitars on it. Though the producer's contribution seems to be pressing the "Space Effect" button on his Casio keyboard.

Paul: The directions on how to smoke a joint are a little superfluous (“Oh, DON’T drop it? God, I’m sorry. I had no idea …”), but it’s a good tune. I do like the line, “What kind of love burns holes in your heart?” The whole thing builds nicely. Solid mid-album song.

Iz Rite


Paul: Well, first I want to say I’m glad I interviewed Edgar Jones last year so I was introduced to the titular phrase. One of the main things I’ve noticed in reviews or fan comments since the Oasis split—and I’ve made this argument myself—is that with Noel Gallagher, you have the big memorable choruses. But the problem with saying that is that it sells Beady Eye short, because “The Roller” had a catchy chorus and my indifference toward “The Beat Goes On” aside, that song had one too. This song has a pretty damn majestic chorus. Maybe it won’t remembered like a “So Sally can wait …” (and that’s not even my favorite part of “Don’t Look Back in Anger,” mind you) but when this song goes into that “When you call my name” bit, I think it’s fantastic. Maybe Beady Eye don’t rattle off the arm-around-your-best-friend choruses as naturally as Noel does, but it’s dumb to say “they don’t have choruses.” Lots of great songs don’t have choruses. It’s a lazy argument to make. OK. Just had to get that off my chest.


Brendan: Youz right. Iz rite is way cooler than Is Right. Though perhaps the label's copywriter is holding up the US release because of that issue. I like this song. Has a sunny AM radio vibe.


I'm Just Saying


Brendan: You can feel those old rock bones starting to loosen up on this song. One of the better rockers on this album. And (I'm sure it matters to you) conducive to my running. In this song Liam seems to be just saying that "this" is his time in the spotlight and his time to shine. As the frontman of a famous rock band (especially still in the UK) like Oasis, I find it pretty comical that Liam feels he's been shortchanged. I know he doesn't get any songwriting credit and he got cast pretty early as his older brother's drunk dancing monkey, but still, he's gotten plenty of shine and love from his lead singer abilities. I also want to point out that this song once again proves that counting off, "1-2-3" always works for some reason in rock songs.


Paul: Yes, as soon as Gem and Liam started their call and response game at the end of this song, I smiled. And I was trying to find parking on Division Street in Wicker Park, which typically is not an activity that’s particularly conducive to smiling. Love the counting. This soars where “Face the Crowd” kind of sputters. This is their wheelhouse, I think—proper rock and roll that doesn’t fall into the trap of being too self-conscious or self-aware. Twenty-something rock and rollers can do that no problem. It’s a lot harder to pull it off with any authenticity another twenty years later.

  
Don’t Brother Me

Paul: OK, we finally get the no-question-about-it song about Noel. Given Liam’s John Lennon complex and some of the things he’s said about big brother in interviews over the past 2 years, I have to hand it to him for not taking a blowtorch to a gas station and going down the “How Do You Sleep?” route. There are digs in here (and I do like the “Did you shoot your gun?” line), but on the other hand, the song doesn’t really say anything. He starts off taunting, then suggests they give peace a chance. Now, anyone with a sibling will understand that dichotomy, but I don’t know that it needs to be crystallized in song. So what’s the point? To start a song-about-you exchange with Noel? Cos for every quasi-interesting Neil Young/Lynyrd Skynyrd-style exchange you get 10 other “fight” songs that make you just go, “Oh stop being a f*cking baby and sing about girls or some other cosmic nonsense” (off the top of my head … Roland Orzabal’s “Fish Out of Water” about Curt Smith, and his former Tears For Fears partner’s reply in the form of “Sun King” … is it embarrassing to know that?). Noel and Liam have never minced words about each other at any time in their public lives. Why do we need songs about it? And doesn’t writing a song about it just make every interview come around to more questions about Noel? Silly move. Nevertheless, quite a good musical backdrop. Love that bass. Don’t know that it needs to go on 4 minutes longer than it probably should, but for as “out there” as this album was supposed to be, this is really the only moment of gratuitous overindulgence. The end of “Soul Love” is a bit overindulgent, but not to this level. Eh ... after 20 years in the biz, I’ll let the guy have 4 minutes of gratuitous overindulgence. 


Brendan: Yes. As a diss track. Nas & Jaz-Z this isn't. I am curious that you'll forgive the four minutes of overindulgence based on 20 years of time served. Didn't the entire Be Here Now sessions punch every ticket on their overindulgence card for all time?


Paul: I’m the wrong person to ask. I bought Be Here Now the day it came out in 1997. I was 14 years old with a Liam-in-“Wonderwall”-video haircut (and I STILL wear it well). I believed it then and I believe it now: IT WASN’T LOUD OR LONG ENOUGH!!!!!


Shine a Light


Brendan: Somewhere in Manchester, Noel listens to this song and says, "Oy, shining is MY thing. I write fookin' songs 'bout shining and lights. I'll show him." Then he quickly books studio time to record three unreleased albums about nothing but shining lights on souls.


Paul: … but they’re all midtempo dirges until they get to the chorus and Jeremy Stacey whacks the snare on every beat of the 4/4 rhythm! And that, kids, is how to make a Noel Gallagher-post 2005 song. At least Sharrock gets to unleash Bo Diddley’s old “patted juba” rhythm, which is fun. Actually, this song feels like it’s longer than it needs to be to me. Maybe because Bo Diddley didn’t often crack 3 minutes, and when I hear that rhythm, I’m trained to think, “Cool. This’ll be short and sweet.”


Ballroom Figured


Paul: I like the title, and this is a fine little song, but it just feels out of place to me. You got the nice closing ballad up next and if you look at the second half of this album, it’s actually dominated by acoustic guitars. I know that’s another sign of rock-star aging, but these guys banged out “I’m Just Saying” 3 tracks ago and it hasn’t been THAT long since “Four Letter Word.” I feel like there should’ve been a proper cosmic stomper here to lead you into the sweet finale that follows. Since it’s not, it feels like an incidental prelude to the finale instead of a song that stands in its own right. 


Brendan: Yes. At this point the depression sets in that we're not going to at least get another "Roller" or "Millionaire" on the record. Great title. Any info on what's a Liam song or one of the other band members?

Paul: I think “Soul Love,” “Don’t Brother Me,” and “Start Anew” are Liam’s.

Start Anew

Brendan: Liam's voice sounds particularly sweet in this song. Did he swear off cigarettes for a week prior to recording or is there a new Nicotine-free app on Pro-Tools? Nice capper, and like most Oasis albums, it sends us off on a magic carpet ride to a place of cosmic peace and love... or the pub. Either works. 

Paul: His voice is working better with acoustics these days. Well, it always has really. Watch some early Oasis acoustic versions of “Live Forever” and compare those to the acoustic session Beady Eye just did for Oui FM. I think he thinks he has a better rock voice, and maybe he does, but when he pulls back, it’s great. And yes, this is a great capper. Aside from “Better Man” off Heathen Chemistry, I think every song Liam’s written that’s closed an album (“Soldier On,” “The Morning Son,” “Start Anew”) have all been great ending notes. He knows how to seal the deal. This is fantastic.

The Extras …

Paul: Another pretty solid set of B-side material. “Dreaming of Some Space” is just an old Stone Roses trick and “The World’s Not Set in Stone” tries to punch a little above it's weight. But “Back After the Break,” “Off at the Next Exit” and “Evil Eye” are all incredibly solid. I’d have swapped “Evil Eye” for the “Ballroom Figured” spot on the album.

Brendan: You didn't mention "Girl in Uniform"? I think that was my favorite of the bonus tracks. I detected a very Kink's influence I figured you'd appreciate. Perhaps "Nothing in this World Can Stop Me Worrying 'Bout That Girl".

Paul: Ah, I did forget "Girls in Uniform." You're right. It is Kinks-y, but that outro got me. That's the one that made me say, "Enough. Stop tape." I'd have really adored it if it was a 2-minute-ish allusion to a Kinda Kinks-era track.


Overall

Paul: It’s solid. It’s not perfect by any means, but I think it’s a definite advancement on Different Gear, Still Speeding, and I think it stands up to Noel’s album very well. The problem is I think most people have made up their mind about Beady Eye and won’t give it too much of a chance, now that the general public media has determined Noel the elder statesman of rock and the recipient of all the post-Oasis goodwill spoils. But I’m interested to see how this album gets reassessed 10 years or so down the road. I honestly see a lot of parallels to McCartney’s Ram, where, when it came out, a lot of critics were like, “What in the hell …” but fans held to it and spread the word. Now it’s kind of revered as the birth of indie. I don’t think BE is the rebirth of indie, but I do think it’s going to fall into that “This is actually pretty amazing” spectrum of reverence. It's an underdog album, and a damn good one at that. Music fans have a tendency throughout history to find those albums and give them the belated praise they deserved in the first place. The only problem (or maybe it's a benefit, depending on how you look at it) is all the songs that could be on the 10th Anniversary Deluxe Edition are already on the Japanese version. Here’s hoping Beady Eye can jump right to a Band on the Run next instead of taking an ill-advised Wild Life detour. 

Brendan: It is solid, but I don't know if I didn't prefer Different Gear, Still Speeding and the extra production and tender loving care given to this album wasn't a misstep. I know artists love when critics offer their opinion on what they "should have done", but I thought or was hoping that Beady Eye (formed out of the ashes of Oasis) would dig further into their 60s roots and put out one of those old school 60s Yardbirds-type albums with some rockers and some covers. Take advantage of their strengths of a good rock lead singer and a tight band, and not try to out Noel Noel.

Thanks Paul for sharing your enthusiasm with me!


Who's up next?


If anyone out there wants to share their enthusiasm (be it music, movie, book, food, beverage, sport, activity etc.) with me, email me or write in the comments field or just say "Hey, Brendan. I really want to talk in detail about this (fill in the blank) but no one else is interested."


I'm here for you.


Sunday, April 28, 2013

Play Date- New EBook Available Now!

Hello again, dear readers.

My new ebook is now available for download!

To buy, click HERE or click on the cover image on the top right of the page.

Here 's the synopsis.


Neighborhood queen bee, Melanie Briarloaf, hires Calvin Recker to investigate whether her husband is more than just Facebook friends with his ex-girlfriend.

Calvin's reward is a spot for his kids in the subdivision's most exclusive play group.

"Play Date" is 7,500-word, 35-page short story and the third case in a series about stay-at-home dad detective Calvin Recker.


Even if you don't have a dedicated e-reader, you can buy this story by downloading a Kindle app HERE onto your PC, Mac, iPad, tablet, iPhone or any other smart phone you might own.


That's right, you can read it on your phone. Aren't you already doing most of your reading on your phone anyway?


Enjoy! Get your read on! Tell your friends!

Sunday, September 9, 2012

Home Wrecker- A Sample

Buy from Amazon HERE
Here's a short sample of my new ebook "Home Wrecker", a 50-page short story continuing the adventures of stay-at-home detective Calvin Recker.

Enjoy.

Home Wrecker
I’ve seen her face before.
Billboards.
Shopping carts.
Junk mail.
My wife, Juliet, left for work three hours ago, and I spent the morning with the kids, Ryan and Daisy, watching one episode after another of Mickey Mouse Clubhouse.
Mickey Mouse.
Or  “Mee-Mow” as Ryan calls him.
What is it about that dude?
He’s the most popular fictional character in human creation, but what can you say about him other than he’s got those big round ears, wears red shorts, has a high voice and seems pretty cheerful?
Not much, right?
But there’s something about Mickey Mouse and the whole crew that fascinates little kids. And from that moment on, the Disney oligarchy has got their corporate hooks in you.
While Mickey’s waving one white-gloved hand, the other one is reaching into your wallet, snatching your credit card, and making reservations for four at the Magic Kingdom with airfare and hotel reservations included.
Mickey Mouse.
Mee-Mow.
That rat.
So yeah, I was letting television raise my children. What of it?
I didn’t study how to be a stay-at-home dad in college.
I don’t have a superhero dad utility belt filled with educational arts and crafts.
I’ve got eight to ten hours to fill, and an hour they’re watching TV is an hour they’re NOT crying or begging for something from the pantry.
Anyway, we were pretty deep into a Mee-Mow marathon, Daisy in her swingy-swing, rocking back and forth like a Grandfather clock, and Ryan (holding a recently purchased Mickey Mouse stuffed animal) and I sprawled on the couch, covered in Honey Nut Cheerio crumbs, in the dark, with the window blinds shut tight, living like a couple of mole people, when the doorbell rang.
“Gamma!” Ryan cried.
Grandma.
He thinks that whenever the doorbell rings, it’s one of his grandmas coming to visit and shower him with presents and sugary snacks.
But the woman in front of me now in the boysenberry blazer and matching skirt is neither one of his grandmas to Ryan’s disappointment.
“Hi, I’m Kelli Anne Bradley with Best Offer Realty,” she says.
Best Offer Realty, or as it’s known around town, “No Offer Reality.”
“I’m not looking to sell,” I say.
Like I could if I was.
“No, I’ve got the house across the street,” she says, turning and pointing at the newly staked “For Sale” sign with her smiling face printed on it.
The Rasmussens.
Nora and Ty.
My first and only case as a private eye.
Word around the playground is, after Nora’s demolition session on her cheating husband’s beloved man cave, she filed for divorce the next day.
Now the house is on the market along with all the other houses in the subdivision that haven’t sold in the past five years.
“Well, good luck,” I say.
I begin to close the door.
“Nora referred me to you,” Kelli Anne says.
I reopen the door.
“Oh?”
“She says that you’re a private detective.”
“I do dabble in the sleuthing arts.”
“Daddy, poo-poo!” Ryan shouts.
“Not now, Daddy’s acting cool,” I whisper to Ryan.
Kelli Anne says, “Nora said that you were talented and trustworthy.”
“I always appreciate a word-of-mouth recommendation. Come in, we can talk about your case in my office. If you don’t mind, I’ve got a couple asses to wipe first.”
***
We walk into the laundry room and I plop Ryan onto the changing table.
I open his diaper.
“Whoa,” I say to Ryan. “That’s a man-sized poop, dude.”
I grab a handful of wipes. I’ve seen parents fold their wipes over and over again to use every inch of surface area, but I’m more of a “one wipe per swipe” guy.
“This is your office?” Kelli Anne says.
“Just until Frank Gehry finishes designing my new building.”
No response. She didn’t get the joke. I let it go.
“So, what can I do for you?” I say.
“Someone in the neighborhood has been tampering with my ‘For Sale’ signs.”
“Tampering?”
“Some were uprooted, some were chopped down, and one had a mustache drawn on my face with a black permanent marker.”
Permanent marker mustaches. Classic.
“Sounds like a couple of bored teenagers,” I say as I finish up Ryan’s diaper and pull up his shorts.
I take Ryan down from the changing table and Kelli Anne hands me Daisy for round two.
“That could easily be the case,” she says. “But these ‘For Sale’ signs are important. Not only are they the most effective advertising I do, but the cost of replacing them comes out of my commission.”
“They are nice signs,” I say.
No, really, they are. I’m not just buttering up my new client. They’re not those flimsy signs that blow away in a stiff breeze. The signs are solid wood, painted white, and staked deep into the front lawn.
“So you see, I need to find out who’s destroying them and get them to, you know, stop.”
“Not that I’m ungrateful for the business, but why not just call the cops?”
“The last thing I need is having the cops constantly patrolling my properties. Can you imagine if I were holding an open house and there’s a cop car parked out front?”
“You’re right.”
“Plus, you live in the neighborhood, so it wouldn’t look suspicious for you to be seen in the area.”
“So you want me to set up some form of surveillance stake-out-type-thing to find the culprit?”
“Precisely.”
“You have a number of houses in the neighborhood and that means a lot of ‘For Sale’ signs. I can’t be everywhere at the same time.”
“But it’s not every house. The signs were only damaged at houses on two particular streets, Horseshoe Lane and Sugar Cube Way. And that leads me to believe that this is not the work of some bored kids.”
“If it’s not kids, who do you suspect did it?”
“Do you know Flippy?”
Flippy, a.k.a. Fiona “Flippy” Kruppe, local celebrity home designer and house flipper, she’s an expert in buying up heavily discounted unsellable homes, fixing them up, and turning them around for a nice profit.
And she looks good doing it.
Long black hair. Tan all year round. Maybe in her early forties, but her body is still high and tight.
Though Juliet says that houses aren’t the only things she’s had work done on.
Meow, right?
But if there were a show called The Housewives of Uninteresting Area Codes, Fiona “Flippy” Kruppe would definitely be a cast member.
She actually filmed an unaired pilot for Bravo a few years back called Flip the Script, but I guess it got crowded out by the million other house flipping shows already on the air.
Now that she’s back in town, she’s been buying, restoring, and flipping houses throughout the neighborhood.
I’ve seen her a few times at Home Depot with giant pallets of lumber and light fixtures, bossing around a team of bewildered South American laborers she picked up in the parking lot that morning.
“Yeah, I know Flippy,” I say to Kelli Anne. “What makes you think she’s a suspect?”
“She’s a gosh darn vulture.”
Harsh words.
“How so?”
“Everyone knows she swoops in on short sales and beleaguered homeowners who can’t find buyers. But what I think she’s doing is sabotaging the legitimate sales efforts of the houses she targets, so she can pick up the discounted property when it doesn’t sell.”
“Uh, huh.”
“She also offers a home design service to homeowners who can’t sell with the promise to make their properties stand out in an already glutted market.”
“Making money coming and going.”
Or something like that, I don’t really understand real estate stuff very well. I should have just nodded.
“I’m sure you’ve heard the pejorative, ‘No Offer Reality’?” Kelli Anne says.
“People facing financial ruin can be so cruel.”
“Well, the reality of the situation is that I think Flippy’s the one responsible for the houses in the neighborhood not selling at acceptable prices.”
“What a gosh darn witch.”
Kelli Anne looks at the kids, then lowers her voice and says, “And I’ve heard she’s got fake boobs, too.”
“Well that settles it,” I say. “Calvin Recker is on the case!”
“Great! Now we just have to negotiate your fee.”
I pick a number out of thin air.
“Two hundred dollars plus expenses,” I say.
“What expenses do you expect to incur?”
Um?
“Forget the expenses, let’s just make it two hundred dollars even,” I say.
“Deal,” she says, offering her hand to shake.
I pick Daisy up off the changing table and say, “Maybe I should wash my hands first before we shake on it.”
She retracts her hand. “That probably a good idea.”
***
I walk Kelli Anne Bradley to the door and immediately dial up my sidekick, Grover.
See, here’s the thing about being a stay-at-home dad and a detective, you really can’t do both at the same time.
Suspects aren’t courteous enough to work around my children’s set in stone nap schedule.
That’s why having a sidekick like my old college roommate, Grover, is essential. While I’m stuck at home with the kids, I can send Grover out into the field to do the requisite legwork or stakeouts. And it’s not like he doesn’t have the time.
He doesn’t have a wife or girlfriend or kids or a mortgage.
Ah, can’t you just taste that free time?
He does have a job as a freelance film location scout. So he drives around all day looking for suitable Midwest filming locations for Hollywood production companies. But those skills are perfect for this kind of sidekick work.
Grover’s been bugging me about when we’re going to get another case, but since that first case fell into my lap, nothing has come my way.
Until today.
I call Grover.
“We’ve got a case, G,” I say.
“I’ll be right there,” he says.
“No rush, I’ve got a few things to do first. Let’s say, an hour?”
“No, I’ll be RIGHT there.”
My sliding glass door in back opens and Grover walks through, shirtless, with a towel over his shoulder.
“Uncle Grower!” Ryan yells.
Grover lifts Ryan up in the air and puts him on his shoulders. “Going up!”
“Were you outside the whole time?” I say.
“Yeah, out on the deck, catching some rays, smoking a jay, and listening to a little Fleetwood Mac.”
“That’s great, do you mind putting my son down before you decapitate him on the ceiling fan?”
 “Oh,” Grover says, putting Ryan down. “Beautiful outside, guys. You shouldn’t stay inside all day with the windows shut like a bunch of mole people.”
“Well, it’s nice you invited yourself over.”
“You know what they say, ‘Su casa es mi casa.’”
“They don’t say that.”
“Hey, I helped you build that deck two summers ago, and I think that fact grants me certain unalienable rights under the Fair Use Doctrine.”
“For instance?”
“For instance, when you’re on vacation, I can have use of it for barbecue cookouts.”
“You do that?”
“Or sleep under the stars with a special lady friend I picked up from the bar that night.”
“Uh, what?”
“Or keeping a little herb garden underneath the lip of the deck.”
“We’re not talking about a basil plant, are we?”
Grover gives me a far off spacey look.
Note to self: get shovel from the garage and dig up herb garden.
“Never mind,” he finally says. “So what’s this about a new case?”
“I’ll tell you the details on the way,” I say.
“Where’re we going?”
“We’re going on a walk!”
“Yay!” Ryan says, jumping up and down. “Shoes!”


End of sample.

Want to keep reading?

You can download the rest for only 99 cents for Amazon Kindle HERE or Barnes and Noble Nook HERE. Even if you don't own an e-reader, you can download a FREE Kindle app HERE for your PC, Mac, iPad, iPhone or any other smart phone or tablet you own. If you have internet access, you can download this story. It's that easy! Read, enjoy and tell your friends and family!

-Brendan

Thursday, September 6, 2012

Home Wrecker- New Ebook Available Now!

Click HERE to buy for Kindle
Hello, everyone. I'm pleased to announce that the long wait for the next ebook installment in adventures of stay-at-home dad detective, Calvin Recker, is finally over!

"Home Wrecker"

Stay-at-home dad detective Calvin Recker is back with his most nap-defying case yet.

Someone's vandalizing the "For Sale" signs that haunt the front lawns of the sleepy subdivision of Stable Bluff. Struggling real estate agent Kelli Anne Bradley hires Calvin and his unreliable sidekick, Grover, to investigate.

"Home Wrecker" is a 11,000-word, 50-page short story and the second case in a series featuring stay-at-home dad detective Calvin Recker.

Click HERE to buy "Home Wrecker" for Amazon Kindle or HERE for Barnes & Noble Nook.

"Home Wrecker" took way more time to finish than I planned. But, in my defense, the birth of another little dude took up a lot of my writing time.

My plan is write and publish the future stories more rapidly. But, to quote the Yiddish proverb, "Man plans, God laughs."

Anyway, I hope you enjoy the story, it was a lot of fun to write, and, I hope, a lot of fun to read.

If you enjoy the story (and don't share my last name), I really encourage you to write a review on Amazon or Barnes & Noble. It totally helps.

And tell your friends! Even if they don't have a dedicated e-reader, they can buy this story by downloading a Kindle app HERE onto their PC, Mac, iPad, tablet, iPhone or any other smart phone they might own.

Okay, I'll be blunt. Just TAKE their device and download it for them. It's only 99 cents. Apologize after the fact.

Building my readership one reader at a time.

-Brendan


Wednesday, July 25, 2012

This Week in Van Der Beek: Free Joey Edition

Welcome back, Van Der Geeks!

We're back with another look at the week of James Van Der Beek that was. Of course, here at JVDB Central, we're still buzzing over the brilliance of season one of Don't Trust the B---- in Apartment 23 or as I like to call it,  Two Chicks and a Beek. But, we also aim to cover all things James-related and that means former Dawson's Creek cast members.

And no cast member is more in the news than the one girl who played Dawson's (and mine) first love Joey Porter. Of course, I mean, Katie Holmes and her recent underpublicized divorce from thespian, Thomas Cruise Mapother IV.

Since the root of conflict seems to be the controverisial religion Scientology, I contacted our resident Scientology expert, Jeffrey Wolinski, a man who really knows his thetans from his engrams, to help clear everything up.

BRENDAN: Thanks for joining us,  Jeffrey. Before we start, can I ask what this crazy machine is that you've got me hooked up to?

JEFFREY: It's called an E-Meter, just relax.

BRENDAN: Fair enough. My first question is if there is truth to the rumor that Sea Org planned Suri Cruise to be a child bride for Xenu with instructions to seduce then ultimately destroy the evil alien ruler, thus freeing the millions of thetans (souls) that he holds captive?

JEFFREY: That’s a completely preposterous idea that the Sea Orgs would devise a plan that would make Suri Cruise the child bride of Xenu with the main purpose of destroying the evil alien to release the thetans.  It was actually the Commodore’s Messenger Organization.  Get your god damn facts straight!

BRENDAN: It has been reported by the respectable US Weekly, that Holmes reached such a favorable settlement with Tom Mapother (Cruise) because Mr. Mapother (Cruise) is hiding something and she knows his secrets. Any leak on what those secrets may be?

JEFFREY:  His smile and laugh, which are one in the same.  Not many people know the reason why Tom Cruise (Mapother) joined the Church of Scientology.  The reason was Tom had a major problem with his flatulence.  Yes, it is true.  It was Tom Cruise’s uncontrollable farting that drove him to Scientology.  The tools and technology at the Church of Scientology helped him figure out a way to put a beard on his stinky problem.  He was able to convert his noxious gases into a visually pleasing manifestation—a smile and laugh.  So every time you see him flash that over the top smile and release that evil-ish laugh…….he’s farting.

BRENDAN: Is there any truth to the idea floated, that Cruise's latest movie, Rock of Ages, was a purposeful unseen bomb with the sole purpose of "clearing" the movie going public?

JEFFREY: Listen, the Bridge to Total Freedom is not an easy bridge to cross, especially if it is a drawbridge lifting so it can let the passing Sea Org ships come into harbor.  That movie was for the “Preclear” public only.  Any person who saw that movie, who has been previously classified as “Clear”, should start getting their tin cans in their hand and start the auditing process all over again.  That movie will mess you up man.


BRENDAN: Does the Botox in Nicole Kidman's face allow her to register shock at her ex-husband's latest divorce?

JEFFREY: I am convinced that Nicole Kidman does not remember anything beyond the first day of rehearsals for Days of Thunder.  Yes, that’s how powerful he is.

BRENDAN: Now that Katie Holmes is free of Scientology's grip, where does her career go from here?

JEFFREY: The only chance Holmes has of sharing screen time with a major actor is when she FaceTimes Michelle Williams.

BRENDAN: Now that she's left the Scientology cult of Hollywood, do you think director Christopher Nolan with digitally erase Holmes from Batman Begins?

JEFFREY: No need.  The movie going public has already erased her crooked face and horrible performance from their mind.  Although, I believe Mr. Nolan is in the process of digitally removing the sad turtle (Ed. Note- Maggie Gyllenhaal, that's cruel Jeff!) that replaced her in The Dark Knight.

BRENDAN. It is said that Scientologists sign a billion year contract, do you think the religion will try to "buy out" Kirstie Alley's contract early?

JEFFREY: This is true although Ms. Alley misinterpreted the contract from the beginning.  She thought it was a billion “pound” contract, so ever since Runaway she has been secretly stuffing her once beautiful face with various forms of fat.  For years she talked about how the Church could possibly “eat out” her contract but that would never happen if she would eat it first.

BRENDAN:  Moving on to more JVDB-related topics, any truth to the rumor that James Van Der Beek's giant head is a manifestation of Xenu and Cruise only married little Joey Porter in an effort to "get inside Dawson's head?"

JEFFREY: It always makes me chuckle a bit when I hear that question, because I hear it a lot.  Actually, it’s Joe Buck’s forehead that is the manifestation of Xenu.  People always seem to get Van Der Beek’s massive head and Joe Buck’s never ending forehead confused.  It’s fine…It’s an honest mistake.

BRENDAN: Any chance that J. V. D. Beek lands a role in Top Gun 2 as Goose's nephew? Or Joshua Jackson (Pacey) as the new Iceman. Also, can Val Kilmer fit into the cockpit of jet engine anymore?

JEFFREY:  Because the size of his head, James Van Der Beek’ has “landed” the role of the runway in the Top Gun sequel and due to his complete lack of charisma and vapidness Joshua Jackson will not be cast at all.  I have heard that Val Kilmer will not be in the sequel to Top Gun.  He has traded the cockpit for the BBQ pit.

The last known photograph taken of Jeffrey Wolinski
I had more questions for Jeffrey, but a team of lawyers representing the estate of L. Ron Hubbard suddenly crashed through the windows and issued a gag order. By that I mean, they actually issued Jeffrey a gag and ordered him to stuff it in this mouth. Then they dragged him out of my house (which was really rude, I just made popcorn, and and we were going to watch Varsity Blues together)

Anyway, I haven't seen him since. I'm a little worried. If you're still out there, Jeffrey, please call!

Have a great rest of your Van Der Week everyone!